​Welcome to The Food Historian's 31 Days of Halloween extravaganza. Between social media (Facebook, Instagram, Twitter) and this blog, I'll be sharing vintage Halloween content nearly every day this month!

Home Halloween parties were extremely popular during the first decades of the 20th century, and although the First World War did slow some of the celebrations, it didn't entirely stop them. On October 28, 1917, the Poughkeepsie Eagle published a full-page spread celebrating Halloween. In it, "Hints for the Hallowe'en Lunch" outlined just how locals could celebrate even with voluntary restrictions on meat, butter, white flour, and sugar. The "Jack-o'-Lantern Salad" features inexpensive salt herring and potatoes, the loaf cake features just one cup of wheat flour with brown sugar and raisins for sweetener, and the "Priscilla Pop Corn" sounds very much like caramel corn! 

This lunch was likely intended for adult women rather than children, though young women may also have been the intended audience. A composed vegetable salad with sandwiches was typical fare for club women and other ladies who lunched. 

​I've transcribed the whole article below for your reading pleasure.

"Table decorations for a Jack'o'Lantern Jubilee must necessarily include pumpkins big and pumpkins little. Both kinds are introduced into the attractive witches cauldron of the illustration. Its value is increased when an assortment of prophecies is put into the kettle to be distributed to the guests when the strong black coffee is served.

"Hallowe'en menus usually include the homely cider and doughnuts, chestnuts and apples which belong to other harvest home celebrations. 

"The following menu is plain and substantial and just a little different.

"Jack-o'-Lantern Menu
Jack-o'-Lantern Salad
Brown Bread Sandwiches
Fruit Loaf Cake
Priscilla Pop Corn
Cider or Coffee

"Jack-o'-Lantern Salad
"Soak salt herring in lukewarm water and drain. Cook in boiling water for fifteen minutes. When cool, separate into flakes and add an equal quantity of cold boiled potato, and one-fourth quantity of chopped, hard-boiled eggs. Mix with French dressing [ed. note: vinaigrette] and chill in refrigerator until serving time. Beat one-fourth cupful of cream until stiff and mix with it two tablespoons chopped pimentos. Mix with equal portion of mayonnaise dressing and combine with the salad. Serve on lettuce leaves, slightly flattening the heap on top to receive the "Jack-o'-Lantern," which is a small full moon face cut from a very thin slice of American cheese, the eyes marked with bits of clove, and the nose and mouth by thing strips of pimento. Brown bread sandwiches, with a filling of chopped peanuts is served with this salad.

"Raised Fruit Loaf.
"One cupful of butter, two cupsful brown sugar, two eggs, two cupsful of bread sponge, two teaspoonsful cinnamon, one teaspoonful clove, two teaspoonsful soda, one teasponful salt, two cupsful raisins, one cupful flour.

"Cream butter and add slowly, while beating constantly sugar, then add well-beaten eggs, bread sponge, spice, soda and salt, and flour mixed and sifted, and raisins, cut in half and dredged with flour. Turn into buttered and floured oblong pans and let rise two and one-half hours and then bake for an hour.

"Priscilla Popped Corn.
"Two quarts of popped corn, two tablespoonsful butter, two cupsful browned sugar, one-half cupful water, one-half teaspoonful salt. Put butter in saucepan, and when melted add sugar, salt and water. Boil sixteen minutes and pour over popped corn, coating each grain thoroughly." 

What do you think? Would you like to attend such a lunch? I know I would! Even the herring potato salad sounds good and distinctly Scandinavian, although not particularly Halloween-ish. Priscilla popcorn, however, is definitely going on the to-make list!

​​The Food Historian blog is supported by patrons on Patreon! Patrons help keep blog posts like this one free and available to the public. Join us for awesome members-only content like free digitized cookbooks from my personal collection, e-newsletter, and even snail mail from time to time! Don't like Patreon? Leave a tip!

​Welcome to The Food Historian's 31 Days of Halloween extravaganza. Between social media (Facebook, Instagram, Twitter) and this blog, I'll be sharing vintage Halloween content nearly every day this month!

If you're a fan of Halloween and all things vintage, you've probably heard of Dennison's Bogie Books. Launched in 1909 by the Dennison paper products company, which specialized in crepe paper, the Bogie Books became hugely popular for their ideas for parties, costumes, and yes, menus. 

The idea of direct-to-consumer advertising was starting to take off in the 1900s, and certainly food companies were capitalizing on corporate cookbooklets at this time. But Dennison's was one of the first companies to issue what they called "instruction books," but which were more like idea books. Chock full of ideas for table crafts, games, costumes, decorating, party organizing, and menus, they were a one-stop shop for all things Halloween. Nearly all the ideas incorporated Dennison's products, which branched out from just black and orange crepe paper to more elaborate decorations, like printed paper tablecloths and napkins, paper plates, printed crepe paper "borders," die cut figures, and more. 

The popularity of Halloween parties exploded in the 1920s. Long popular among young adults looking for romance, postwar they shifted to include children and adults, too. 

Dennison's had been printing Art and Decoration in Crepe and Tissue Paper since 1894 (here's the 1917 edition, complete with colorful samples of crepe and tissue paper). But the 1909 Bogie Book was one of its first forays into a single holiday booklet, although others for Christmas, galas, and other holidays would follow in the 1920s. The Bogie Book, however, was the only one to be printed annually, and illustrates just how popular Halloween had become in the United States. 

Dennison's bread and butter was paper decorations and colored crepe paper. More than any other holiday except perhaps Christmas, decorations were an integral part of Halloween celebrations. Popularized in the late Victorian era, home Halloween parties were increasingly common in the 1910s and 1920s. Dressing up your living room (like below) and other more mundane parts of the house was crucial, and Dennison's promised loads of ideas for themes and instructions for making your own decorations, in addition to purchasing their ready-made stock. 

In addition to parties at home, increasingly people were throwing more public parties. Halloween was traditionally a time for young love, and it was the perfect opportunity to get young people together. Public parties could be held in church basements, public halls, fraternal organizations, and schools. Bogie Books included hints not only in decorating these larger spaces, but also advice for spooky entrances, harmless tricks, and group games. 

Of course, what was a party without a costume? But Halloween costumes in the 1910s and 1920s were not much like today's. Although classic Halloween archetypes like witches, bats, pirates, pierrot and harlequin figures, and fortune tellers were popular for more obvious costumes, simply dressing in black and orange with spooky figures or motifs was enough for most people. The silhouettes of the day were largely maintained. Sometimes more abstract themes, like "Night" or "The Moon" or "A Star" might allow the fashionable young lady to put in a little more effort while still feeling pretty.

​In the above image, three young women feature variations on the same 1920s party dress silhouette - one is festooned with orange stripes and ribbons of crepe paper hang from her waist and festoon a hat, with jack-o'-lantern images bobbing at the ends of the streamers. Another is dressed as "The Moon" - with a large silver crescent moon on her head and a black dress and gray cape spangled with more crescent moons and stars - orange streamers hang from her waist. Another goes with a pumpkin theme - wearing an orange bodice with a dagged peplum, a black dress featuring orange jack-o'-lanterns, and long black sleeves with dagged cuffs and black ribbed cape with capelet and a huge stiff collar. Her ensemble is topped with a black cap featuring a festoon of orange leaves. A little girl is also pictured, wearing a black and orange dress featuring a black cat's face on the bodice and a black and orange cap with long ears or leaves protruding from the top. Alas, the men's costumes are less flattering - large, formless tunics and hats worn over their regular button-up shirts and ties. One is dressed as the moon - with the tunic featuring an enigmatic-looking full man-in-the-moon and a tall cone of a cap with another moon and stars. The other is dressed in a black-trimmed orange tunic featuring a large fringed black-and-orange collar and a smiling jack-o'-lantern as a pocket. He wears a witch's hat covered in small jack-'o-lanterns. 

Each Dennison's Bogie Book included instructions for making each of the pictured costumes from Dennison's crepe paper, printed paper figures, and more. 

Of course, The Food Historian is going to be interested in the menus! Along with all their other suggestions, some issues of Dennison's included sample menus. Although not every Bogie Book contains menus, many do reference food and refreshments. Generally, the suggestions are simple and standard party fare - sandwiches, potato chips, potato salad, simple cakes, donuts, fruit, olives, cheese, nuts, etc. - and rarely are recipes included. The emphasis of the books is on decorating the food, tableware, and tables than the food itself. 

It took a while for the books to gain traction, and the 1909 one didn't get a sequel until 1912. But by then home parties for Halloween were becoming increasingly popular. And Dennison published Bogie Books annually from 1912-1935. Only war (1918) and the Great Depression (1932) stopped their publication. ​

The Dennison Manufacturing Company has a long and interesting history, as it was largely controlled by one family for nearly 100 years. The Dennison company is still around today as Avery-Dennison.

From the Hollis Archives, Harvard University, which holds the Dennison corporate collection:

"The Dennison Manufacturing Company was a manufacturer of consumer paper products such as tags, labels, wrapping paper, crepe paper and greeting cards. The company was founded by Aaron L. Dennison and his father Andrew Dennison in Brunswick, Maine in 1844. Aaron Dennison, who was working in the Boston in the jewelry business, believed he could produce a better paper box than the imported boxes then on the market. The Dennison's first produced boxes made to house jewelry and watches. Aaron Dennison sold the boxes at his store in Boston, beginning in 1850 and in New York starting in 1854. After early business success, Aaron Dennison retired and yielded control of the company to his brother E.W. Dennison.

"The mid to late 19th century saw numerous products introduced by E. W. Dennison, who improved the product so that it became the best and most sought after on the market and under the Dennison name. In order to grow the business, Dennison needed to mechanize the box making process. Dennison introduced the box machine to meet the growing demand of jewelers and watch makers, who began ordering large numbers of boxes. Until the introduction of the box machine, the boxes were still being made one at a time, by hand. The machine mechanized and sped up the box-making process. The company continued to expand, and a larger, centrally located factory was needed. Dennison chose Boston, Mass., as the site of the new factory in order to be close to the city's retail store.

"In 1854, Dennison introduced card stock to hold jewelry and jewelry tags. Dennison's tags became wildly popular and the business began to expand rapidly, from the jewelry industry to textile manufacturers and retail merchants. E.W. Dennison noticed a deficiency in the quality of shipping tags and patented a paper washer that reinforced the hole in the tag. Sales of tags hit ten million in the first year. Stationery gummed labels were introduced just after the end of the Civil War. These labels had an adhesive on the back side and were manufactured to stick on boxes, crates or bags. The tag business alone required E.W. Dennison to move his factory in order to fulfill demand. The boxes, shipping tags, merchandise tags, labels and jeweler's cards were moved to the new factory in Roxbury in 1878. That same year the company was officially incorporated as the Dennison Manufacturing Company.

"In just over thirty years, the company grew from a small jewelry box maker to a large manufacturer of paper products under the direction of E.W. Dennison and his partner and treasurer Albert Metcalf. Dennison died in 1886 and his son, Henry B. Dennison succeeded him as president of the company. Henry B. Dennison had worked for the company for many years, having opened the Chicago store in 1868 and served as superintendent of the factories since 1869. Henry B. Dennison served as president of the company for only six years and resigned due to poor health in 1892. Henry K. Dyer was then elected president, and under his direction the company consolidated its many factories and operations. In 1897, the Dennison Manufacturing Company purchased the Para Rubber Company plant located on the railroad line in Framingham, Mass. The box division was transferred from Brunswick, Maine; the wax and crepe paper operations from the Brooklyn, NY factory; and the labels and tags from the Roxbury plant. The move was complete in 1898 and the factory was up and running. The factory was divided into five manufacturing divisions: first, the jewelry line, which included boxes, cases, display trays; second, the consumers' line of shipping tags, gummed labels, baggage check and specialty paper items; third, the dealers' line which included all stock products sold to dealers and some consumers; fourth, the crepe paper line; and fifth, the holiday line. Also located at the Framingham plant were financial offices, advertising and marketing departments, sales division and director's offices. Although the company was divided into divisions, all aspects of the company worked together in unison to plan and execute the production, marketing, and sale of a product. The Dennison Mfg. Co. planned well in advance of any sale by conducting market research, reviewing past statistics and gauging future interest in products.

"Henry Sturgis Dennison, grandson of the founder, began working for the family business after graduating from Harvard in 1899. He held various jobs at the company including foreman of the wax department and in the factory office. He was promoted to works-manager in 1906, director in 1909 and treasurer in 1912. In 1917, H.S. Dennison was elected president of the company. While serving as president of the company, H.S. Dennison oversaw the international expansion of the firm, consolidation and streamlining of certain processes and procedures, reduction in working hours, implementation of employee profit sharing plans, an unemployment fund and the creation of company wellness facilities. H.S. Dennison was heavily focused on getting the highest quality work out of each of his employees and eagerly sought their advice and suggestions for improving working conditions and manufacturing processes. He employed market analysis and research when venturing into a new sales territory or rolling out a new product. His focus on industrial management led him to be a prolific writer, speaker, and expert advisor on the topic. Outside of his management of the company, he served as an advisor to the administrations of Woodrow Wilson and Franklin Roosevelt and lectured at Harvard Business School. Henry Sturgis Dennison served as president of the Dennison Manufacturing Company until his death in 1952.

"Dennison's long time director of research and vice president, John S. Keir, was elected to succeed him in 1952. Keir only served for a short time, and continued running the company the way Dennison would have. After World War II, an emphasis was placed on manufacturing products that appealed to women, especially housewives. New products included photo corners, picture hangers, stationery, scotch tape, diaper liners and school supply materials for children. During the 1960s and 1970s, the Dennison Manufacturing Company began actively researching new products and proposed acquiring small, competing office product companies with new technologies. This effort was undertaken by president Nelson S. Gifford in order to diversify Dennison's product line, maximize profits for shareholders, and keep the company fresh. In 1975, Dennison acquired the Carter's Ink Company, a Boston, Mass. based manufacturer of ink and writing utensils. This acquisition and others broadened Dennison's product line as the company moved away from paper manufacture to a manufacturer of all office products.

"Dennison Manufacturing Company merged with Avery Products in 1990 to become, Avery-Dennison, a global manufacturer of pressure sensitive adhesive labels and packaging materials solutions."

If you'd like to learn more about Dennison, check out the Harvard collection. 

For more about the history of the family and its products, check out this historical overview from the Framingham, Massachusetts History Center, which holds the Dennison family papers and other collections related to the company. 

The Bogie Books can be hard to find these days. They are collector's items and sadly often disappear from library and archival collections. However, several issues from the 1920s have been digitized and are available for free on disparate locations around the internet. I've collected them here for your viewing and reading pleasure. If you'd like to see the covers for 1912-1925, check out the list at Vintage Halloween Collector. 

Dennison's Bogie Book - 1919 edition

Dennison's Bogie Book - 1920 edition

​Dennison's Bogie Book - 1922 edition

Dennison's Bogie Book - 1923 edition

​Dennison's Bogie Book - 1924 edition

Dennison's Bogie Book - 1925 edition

Dennison's Bogie Book - 1926 edition

Dennison's has also reproduced many of its historic Bogie Books and they are available for sale as print copies. You can find them on Amazon by clicking the links below. If you purchase anything from the links, you'll help support The Food Historian! 

What do you think? Are you inspired to try some vintage decorations for your Halloween party this year? In 2019 I threw my own version of A Very Vintage Halloween party - check it out!

​​The Food Historian blog is supported by patrons on Patreon! Patrons help keep blog posts like this one free and available to the public. Join us for awesome members-only content like free digitized cookbooks from my personal collection, e-newsletter, and even snail mail from time to time! Don't like Patreon? Leave a tip!

​Welcome to The Food Historian's 31 Days of Halloween extravaganza. Between social media (Facebook, Instagram, Twitter) and this blog, I'll be sharing vintage Halloween content nearly every day this month!

References to Halloween during the First World War were few and far between but this little article caught my eye. Featured in the October, 1917 edition of the Ladies Home Journal, "We Must Have Some Pleasure in Spite of the War" by Virginia Hunt doesn't have much in the way of menu suggestions and recipes, but it does illustrate the typical ideas around Halloween parties at the time. A mixture of an excuse for teenaged romance, a little spookiness, and of course, the home economist's dream of a color-coordinated, crafty, event, sometimes with coordinated gymnastics. 

For fun, I've transcribed the original article verbatim below. Would you host a Halloween party with any of this advice?  

The Witch's Cave
Every Halloween party has a witch, sometimes several witches, flitting scarily here and there with abroomstick, or hovering over a kettle or presiding at a fortune-telling tent. At this part, however, the witch is the chief attraction and the source of all the entertainment.

A big room, garret, hall, vestry of a church or possibly a barn or a garage would be suitable for the scene of the party, only one room being required. Instead of the usual booths, tents, tables, etc., the whole apartment is made to represent a witch's cave. Branches and limbs of trees, leaves, cornstalks, etc., are used in profusion, covering walls, hanging from rafters and strewn on the floor.

Bats made from stiff paper are hung from the ceiling, rafters or chandeliers, low enough to brush against people as they pass by and add to the creepy effect. The more twigs, branches, stalks, etc., that are used the more ghostly will be the effect of the flickering lights through the branches and the shadows cast here and there. 

At one side of the room, or in a corner plainly seen from everywhere, is placed the witch's kettle, over which a very scary-looking witch presides. Underneath the kettle a make-believe fire is arranged with red electric lights or a red lantern showing the light through small twigs. On each side of the witch, a little back of her, stand two ghosts, sentinels and helpers of the witch. A black cat should be the witch's constant attendant; and she should carry the usual broomstick.

The lighting of the hall or room is furnished entirely by jack-o'-lanterns or candles, although electric lights very heavily covered with red and green cloth or paper may be used, the weird ghostly effect being desirable. Ghosts are stationed here and there about the room and flitting in every direction. An orchestra or talking machine plays weird, doleful music until the guests have all assembled. 

Each guest, upon entering, is conducted about the room by a ghostly attendant, shakes hands with clammy-handed figures and hears doleful groans, until his arrival at the witch's kettle. Here the witch, after mumbling a charm over her kettle, draws therefrom a slip of paper on which is written a fortune.

The person receiving the slip is not at first able to see anything on the paper, but upon being told to hold it in front of a candle the writing plainly appears. This feat is accomplished by writing the fortune with lemon juice, which does not show on the paper when written, but appears plainly when heated.

After all have received fortunes the company is seated on low seats scattered here and there about the room. The music gives a particularly doleful wail and then stops, and in a sepulchral voice the witch announces that she will call forth from the land of gloom some spirits who will entertain the company for a short while. She then waves her wand and out from behind some curtains, which have been hung in one corner among the branches and stalks, there appears, as ifby magic, a procession of ghosts. They march in slowly to the tune of "John Brown's Body," singing as they march and executing a ghost slide or march.

After the ghosts disappear the witch calls forth the "Lightning Bugs," little, darkly clad figures, so dark that they can scarcely be seen, each one carrying a flashlight. The hall should be as dark as possible for this act, as only the flash of the lights is desired to be visible.

These lightning bugs go through a simple gymnastic drill with the flashlights, ending with a quick march.

This act is very effective if done in time to rather slow music and, with considerable practice, will be a very pleasing addition to the entertainment.

It is, however, absolutely necessary to have the hall dark throughout this stunt. The lanterns may be extinguished and all lights turned off, then lighted again at the close. The flashlights should be turned off now and then and turned on again quickly to give the lightning-but effect, although the exercises with the arms and the quick march will give that effect to some extent, the lights bobbing here and there in the dark.

After the lightning buts have disappeared the lanterns are lighted and the witch calls forth the Pumpkin Quartet. These are four girls dressed in yellow cheesecloth or cambric dresses with long twisted pieces of green crepe paper on their heads, to represent the stems of the pumpkins. This act should have more light, which can be accomplished if desired by light thrown directly on the quartet.

The quartet then sings several songs - preferably soft, harmonious four-part songs, such as lullabies and Southern melodies. If such talent is available there may be banjo or guitar accompaniments to these songs, the instruments to be played by ghostly figures or by other pumpkin characters.

Then the quartet disappears and the witch waves her wand again. This time out come tripping, to light, swingy music, two little fairies dressed all in white with gauzy, silvery wings on their shoulders and wands in their hands. They stand on each side of the curtains, holding their wands to make an arch.

Then the music plays a slow march and out from the curtains appear all the performers who have taken part in the entertainment, marching between the two fairies and forming in a half circle facing the audience, with an opening in the center of the half circle.

Next the fairies hold their wands at salute and the music strikes up "Columbia, the Gem of the Ocean," while out from the curtains marches Columbia, carrying an American flag. She marches to the center of the half circle, the fairies leading the way, and the whole company of performers close the entertainment with the singing of "The Star-Spangled Banner."

An Impromptu Barn Party
A Puritan maiden called at various houses and, from a hollow pumpkin shell she carried, drew a corn husk which she gravely presented to whoever opened the door. The finest, softest, inside husks had been chosen; a pen-and-ink sketch, "three lines and a splash," of cat or witch or goblin pointed with fine dramatic gesture to the rime:

Ghosts do dance
And goblins prance
In our barn to-night.
Don't make much fuss,
But join with us,
With hearts both gay and light.

When the guests arrived they were seated on piles of hay; a shock of corn was thrown before each one, and at a signal the corn husking contest began. Old-time tricks and games were then tried with great zest.

The tables were decorated with pumpkin shells filled with fruit. The place-cards were corn husks; nut dishes were hollowed apples. The salad was of cottage cheese in individual services, each being shaped like a face with raisin eyes and pimiento mouth and nose.

The sandwiches were of brown bread cut as witches' hats. A large cake was frosted with chocolate and on its dark background sheeted ghosts and spirited goblins in white-icing garments disported in perfect harmony. Candies and nuts ended the feast.

​Illustrated Novelties for the Parties
The two illustrations at the top of the page and the two witches at the bottom are figures about six inches high and may be used for table decorations. A Halloween part invitation is shown both folded and unfolded. These sell for five cents each, and in orange and black are striking in appearance. Immediately below these are button-faced figures on a card to be used for an invitation or a place-card. The witch on the right and the fireplace at her right and the open gate below are given as examples of what may be done by the clever girl who can paint. In her basket the witch carries a real folded note of invitation; the kitty is real fur or felt and the garden gate actually swings on its hinges. The combined place-card and nut-cup favors may be purchased for about five cents each in shops selling such goods.

Well! The Witch's Party certainly seems like it would be a LOT of work to organize and put on, requiring quite a few actors. The patriotic ending featuring Columbia, while seemingly out of place among a Halloween production, was typical of the period and boosterism for the war effort. That being said, the adorable barn party seems much more doable, provided one can find corn for husking! 

What do you think? Would you add any of these ideas to YOUR Halloween party? 

And here's a little bonus - a fun page of paper dolls from that same issue of the ​Ladies' Home Journal! Which costume would you wear? 

​​The Food Historian blog is supported by patrons on Patreon! Patrons help keep blog posts like this one free and available to the public. Join us for awesome members-only content like free digitized cookbooks from my personal collection, e-newsletter, and even snail mail from time to time! Don't like Patreon? Leave a tip!

I used to hate gin and tonics. "Bitter, bitter pine trees" I called it (incidentally, somebody please make that their band name). But while plain dry gin and regular tonic are still not my thing, I've become a much bigger fan of gin than I originally thought. In particular, flavored gins, which are so easy to make at home! 

Rhubarb is a favorite in Northern Europe and Scandinavia is no exception. But ultimately rhubarb reminds me of growing up in North Dakota! Also known as "pie plant," the only safe part of the rhubarb plant for humans to eat is the stalk. It gets its sourness from oxalic acid, which is concentrated in the leaves, making them inedible and toxic. But its tartness is part of its charm, as rhubarb is often one of the earliest "fruits" available after winter. 

Although rhubarb is done for the season in much of the United States by July, I was able to rescue some stalks from my mother-in-law's house before they got too dry. June was a busy month for me, so I didn't have much time to turn them into desserts. Gin it was! 

This recipe is pretty straightforward, and makes the most delicious, rhubarb-y gin!

10-16 rhubarb stalks
sugar to coat
dry gin
tonic water

Cut the rhubarb lengthwise into long strips, then cut crosswise into small pieces. Essentially, you want it minced. Add it to a quart jar (about 3 cups) and add sugar to coat, a 1/4 to a half cup. Seal and shake vigorously and let rest at room temperature, shaking occasionally, until the rhubarb gives up its juice. After 12-24 hours, cover with dry gin (I used the tail end of a bottle of Beefeater). Shake well and let rest at room temperature, shaking occasionally, for a day or two before using. The pinker your rhubarb, the pinker the gin. Eventually, the minced rhubarb will lose its color, but it will still taste delicious.

To make the beautiful pink gin into a tonic, pour a finger or two over ice, fill with tonic water, and stir to chill and combine. You don't have to use particularly high-quality gin - the sugar smooths out a lot of the alcoholic burn. But try to use a higher quality tonic than the garden variety. I like Fever Tree. Use the plain tonic for full rhubarb flavor. But if you're feeling extra fancy and adventurous, try it with their Elderflower tonic! The flavor of the rhubarb and the elderflower merge to give almost a grapefruit-y taste. I like both ways! 

Purchases from affiliate links will give The Food Historian a small commission.

Infusing alcohol is one of my favorite ways to "preserve" fruit, and gin is one of the most forgiving. You can make blackberry gin, raspberry gin, and even celery gin! Just add fruit, a little sugar if you want, and let it rest until the gin takes on the color and flavor of whatever you're putting in it. 

This is the last post in my Scandinavian Midsummer Porch Party series. I hope you enjoyed it! Follow the link to see the whole menu. 

​The Food Historian blog is supported by patrons on Patreon! Patrons help keep blog posts like this one free and available to the public. Join us for awesome members-only content like free digitized cookbooks from my personal collection, e-newsletter, and even snail mail from time to time! Don't like Patreon? Leave a tip!

Every good party has at least two beverage options for guests. I like to have one alcoholic, and one non-alcoholic. When I was planning my Scandinavian Midsummer Porch Party, I knew I wanted something light and refreshing for the non-alcoholic option.

Scandinavians aren't really known for this, but saft is a non-alcoholic fruit juice concentrate that often finds its way onto Scandinavian tables. Saft means "juice" and is a sugar-sweetened concentrate meant to be mixed with water. In a lot of households, water and the concentrate are placed on the table separately, and guests mix their own beverages to taste. 

Saft isn't quite a syrup. Legally, it must contain at least 9% fruit juice. But it's certainly not unsweetened. Historically, the sugar likely acted as a preservative, allowing people to have fruity drinks year-round and preserve some of the summer abundance for the lean times in winter. Access to vitamin C may have also played a role in the creation of saft. Analogs in the United States might be shrub (although that is often made with vinegar) and British cordial (although that is sometimes fortified by alcohol). 

If you've even been to IKEA and had the lingonberry "juice" at the café, you've had saft. Common flavors include strawberry, blackberry, blackcurrant, lingonberry, and elderflower. ElderFLOWER? Yep! Elderflower! Elder plants are common in Europe and have been revered in many ancient cultures for their magical and protective powers. You may have heard that elderberry syrup can be use as an immune booster. But elderflowers were also eaten in early summer. Fried as fritters, made into saft and cordials, steeped in alcohol, and eaten with fish, their strong floral scent has an affinity for honey, lemon, and gooseberries. 

Although elders grow with abundance in Europe, they're a bit more scarce here in the United States. So I did not make my own elderflower syrup, but if you've got access and care to take a stab, here's a recipe to try. 

If you also live in an area that's short on elder bushes and trees, you can purchase syrups online or from your local IKEA or Scandinavian shop. I got Monin brand syrup, which was good (I like all their syrups), but not as good as the "real" Swedish saft, which is hard to find online. Hafi brand elderflower drink concentrate is what to Google, and Hafi is a Swedish preserves brand that has been around since the 1930s. You can find it in some specialty foods stores, too. 

This elderflower punch is delicious, but it has a unique flavor. Some of my party-goers thought it tasted like Pez! I think it's a nice combination and refreshing, but see for yourself.

elderflower syrup
plain seltzer or club soda
ginger ale

In each glass, add about an inch of syrup, then fill halfway with plain seltzer, top off with ginger ale, and give it a good stir to combine the syrup. You can also do it with all plain seltzer, but then it's elderflower soda! 

If you're making it for a crowd, the ratio is about a quarter cup of syrup to one cup each seltzer and ginger ale.

​The Food Historian blog is supported by patrons on Patreon! Patrons help keep blog posts like this one free and available to the public. Join us for awesome members-only content like free digitized cookbooks from my personal collection, e-newsletter, and even snail mail from time to time! Don't like Patreon? Leave a tip!

I can take zero credit for coming up with this genius recipe. That 100% goes to Nevada and her North Wild Kitchen, which is where I first found her recipe for rømmegrøt ice cream.

You may be asking yourself, what on earth is rømmegrøt? Rømmegrøt is a traditional Norwegian porridge made from flour and heavy cream, usually served with cinnamon and sugar at Christmastime. The term rømmegrøt means "sour cream porridge," and in Norway the traditional recipe often calls for a mixture of sour cream and milk. But for whatever reason, here in the States, it is almost exclusively made with plain heavy cream. Interestingly, as far as I can tell, the taste is not particularly different, because this ice cream is made with sour cream and it tastes exactly like the rømmegrøt I grew up eating. (If you're interested in the original rømmegrøt, check out my patrons-only post on Patreon, complete with a recipe!)

The "real" rømmegrøt is incredibly rich. The flour makes for a smooth, creamy pudding-like texture and as it cooks with the heavy cream it "splits" and "makes" its own melted butter sauce as the flour binds to the dairy proteins in the heavy cream. Historically its richness made it the perfect food for winter holidays, which is why it is so often associated with Christmas. This is also perhaps why soured cream was used, instead of fresh. Cows generally stop producing milk once their offspring are weaned, so winter is the time a lot of cows would "dry up" until they got pregnant again. If a family only had one cow, it would be impossible to get fresh dairy year-round. 

Rømmegrøt is also a traditional dish for new mothers - the rich but easily digested food helped them recover from the trauma of childbirth, and ensured they got enough calories to keep their babies well-fed. But while this food is, indeed, delicious, eating a rich, stick-to-your-ribs dish in the summer heat is not exactly appealing. Enter the genius rømmegrøt​ ice cream.

I'm giving you this recipe because although Nevada's North Wild Kitchen recipe is marvelous, I tweaked hers just a little. Fair warning that you will need an ice cream maker for this one. (We got this one as a wedding present and love it.)

12 ounces full fat dairy sour cream (1/2 of a 24 ounce carton)
1 1/2 cups heavy cream
3/4 cup granulated sugar
1/2 teaspoon ground cinnamon

In a pourable container, mix all ingredients and whisk well to combine (you could stop at this point and just eat the pourable mix with a spoon, and I always lick the bowl). Pour into the ice cream maker and start. When the ice cream is no longer turning over in the maker, it's pretty much done. You can pack it into a freezer container (these are nice) or serve immediately.

Rømmegrøt​ ice cream has a tangy sweet flavor and including the cinnamon in the ice cream makes all the difference, for me. You can eat it on its own, but it also pairs well with apple pie or crisp, blueberry, blackberry, rhubarb, or strawberry desserts, and gingerbread. 

I had originally intended to make a big strawberry rhubarb crisp for the party to go with this ice cream, but ran out of time. And since I made two batches of rømmegrøt​ ice cream in advance, it almost got forgotten altogether! I pulled it out last minute for anyone who had room for a little more dessert. While everyone enjoyed it, I think I was the only one who had ever tasted rømmegrøt​ before, so perhaps it's slightly less of a delight without the taste memories to work with. I guess this just means I'll have to throw a Scandinavian Christmas party to introduce everyone to the joys of original rømmegrøt​!

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Nothing says midsummer to me like creamy, cold, Swedish rice pudding with raspberry sauce on top, so I knew this had to be one of the desserts I made for my Scandinavian Midsummer Porch Party, as it's one of my favorite desserts. Rice pudding is very typically a Scandinavian Christmas dish, but I grew up eating it much more often at midsummer than any other time of year. Our local Swedish Society would always make vats of it (and still does!) for the Scandinavian Festival in my hometown every year. Although I've been offered it in the past, I sadly don't have that original recipe! So I did the best I could doctoring up my favorite recipe for rice pudding, and it turned out better than I imagined, so I'm not sure I'll ever go back. 

Scandinavia has a long history of porridge - grains cooked in water or milk - and the stick-to-your-ribs-ness of porridge spills over into holiday traditions. Christmas was an especially important time to consume a lot of calories, not only to celebrate, but to keep warm. But rice is not native to Scandinavia, so what gives? This article gives a great overview of the history of Christmas rice pudding in Scandinavia in general, but suffice to say that, like most European Christmas traditions, it all goes back to the Medieval period and expensive imports from the Far East. Rice replaced locally grown grains like barley and its relative expense and scarcity joined other imported goods like cinnamon (and ginger, black pepper, and cardamom), sugar, raisins, and almonds supplemented by butter, cream, and milk to make up the bulk of holiday ingredients for what are now traditional Scandinavian treats. As Swedes got wealthier and rice and sugar got cheaper and more widely available, rice pudding became more of a year-round treat. 

In the Midwest, you're more likely to find people with memories of eating "glorified rice" (basically a rice and cool whip "salad" with canned fruit, especially maraschino cherries) outside of the holidays than cold rice pudding. But although I also loved glorified rice growing up, it is the taste of creamy, cold, eggless rice pudding topped with sweet-tart raspberry sauce that brings back so many fond memories. It doesn't hurt that it's absolutely delicious. 

This is a very straightforward recipe, with just a few changes from my original version. I also did 1.5 times the original recipe, as I knew I was serving a crowd. We still had quite a bit leftover, but I didn't mind in the least, and the leftovers disappeared after just a few days.

1 1/2 cups arborio rice (also known as "pudding rice" or "risotto rice")
9 cups whole milk
3/4 cup sugar
1 cup golden raisins
1 cinnamon stick
1+ cups heavy cream
1 bag frozen raspberries, thawed
sugar

In a large, heavy-bottomed pot, combine the rice, sugar, raisins, cinnamon stick, and milk, and give it a stir to make the rice separate. Bring the pot to a near-boil (the milk goes from flat to boiling over in an instant, so keep an eye on it!), stirring occasionally to keep it from sticking/burning, then reduce the heat to a low simmer and continue to cook, stirring occasionally at first and more frequently later on until most of the milk is absorbed and the remaining liquid has thickened into a sauce. Because you want to serve this chilled, leave it to be fairly soupy, as the rice will continue to absorb liquid as it cools. 

Once the pudding is cool and you are ready to serve it, add the now very-thick rice pudding to a very large bowl (I used one closer in size to a punch bowl than a mixing bowl) and with a wooden spoon stir in heavy cream until the rice pudding is soft and creamy again. Open the bag of raspberries and add a few tablespoons of sugar and stir to combine. You can do this before you add the heavy cream to the rice pudding so that the thawed raspberries have time to macerate in the sugar. 

When ready to serve, top the extra-creamy rice pudding with the raspberries and devour. You probably won't have the same memories I do, but your tastebuds will thank you. 

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For a lot of Norwegian-Americans, sandbakkels (the plural in Norwegian is actually sandbakkelse, but we can Americanize) remind them of Christmas. The crisp, buttery cookies are essentially dense tart shells, similar to shortbread, but more crumbly. Meaning "sand pastry," sandbakkels are baked in special fluted tins and contain either ground almonds or more commonly in the U.S., almond extract. 

Despite the fact that they are usually served plain here in the states, those little tart shells just begged to be filled. So when I was planning my Scandinavian Midsummer Porch Party, I thought they would make the perfect little dessert. The problem was, what recipe to use? 

One of my best-loved talks is on the history of Christmas cookies, and I've got a whole section on Scandinavian ones. So I turned to my former research and remembered the PAGES of sandbakkel recipes from Recipes from Many Lands, a little cookbook of recipes submitted by North Dakota housewives and home economists around the state and published in July, 1927 as Circular 77 of the Agricultural Extension Division of North Dakota State University.

I've clipped all the Sandbakkelse recipes (also Americanized to "Sand Tarts") and posted them below.

The vast majority of these recipes are very similar - almost all call for a mixture of butter and lard, sugar, an egg or two, almond extract, and flour. The instructions are usually quite vague. Some don't even include amounts of flour. Some just say to press into tins and bake. So I decided to take the best advice from all the recipes and the Swedish Sandbakkelse recipe (which actually had measurements for everything) and go from there. 

But first, I had to find my sandbakkel tins! At some point I either stole them from my mother (she always had too many and never used them), but I had a little original box of vintage sandbakkel tins in mint condition hiding in the bottom of a kitchen drawer. Alas, I only had a dozen of them, so I had to make due with the recipe in other ways, which you'll see below. But how cute is this box? With the original hardware store price tag!

The recipe is pretty straightforward, and if you don't have sandbakkel tins, never fear! There's a hack suggested in the historic recipes that I'll outline below.

1 cup softened butter (2 sticks)
1 cup granulated sugar
1 egg
1 teaspoon almond extract
2 cups flour (plus more to knead)

Preheat the oven to 350 F. In a large bowl, cream the butter and the sugar together, then add the egg and extract and mix until smooth. Add the flour, a little at a time, until the dough starts to come together, then knead with the hands until smooth. Take half dollar sized pieces of dough and press into the tart tin, pressing the dough all the way out to the edge of the tin, but not over the edges. Make sure to press well to ensure good fluting. The dough is buttery enough that you won't need to grease the tins.

Place tins on a sheet pan and bake 12-15 minutes or until golden brown. Let cool in the tins. 

Uhoh - you've still got a ton of dough left, and your sandbakkel tin set only came with 12 tins! What do you do? Well dear reader, you follow the advice of those sage 1920s North Dakota farm wives, who maybe didn't have sandbakkel tins either, and you press the dough into a pie plate, and bake it that way. And instead of filling the adorable individual tarts with jam and whipped cream, you fill a whole pie worth and cut it into slices to serve. Easy peasy! You could probably also use muffin tins, in a pinch. But the fluting is the pretty part, so if you can find sandbakkel tins, use them!

I actually took a fair number of photos this time, so enjoy the process via the power of film:

In all, the sandbakkelse were among the easiest of the Scandinavian cookies to make. Which is probably why in Norway they are traditionally the first Christmas cookie that kids help make. But they're not just for Christmas! They were delightful as a summer treat. You could also fill them with pastry cream, fresh fruit, chocolate, or whatever you like! But berry jam and whipped cream felt the most appropriate for Midsummer.

If you'd like to buy your own sandbakkelse tins, Bethany Housewares makes the round kind, and you can get the fancy shapes from Norpro. And if you are a whipped cream fiend like my husband (and to a lesser extent me), and you admired the pretty piping, I can't recommend enough getting a professional, reusable whipped cream dispenser. We love this one. When you factor in buying the heavy cream and the nitrous oxide cartridges, they're not much cheaper than buying the disposable cans, but the whipped cream is some of the best you'll ever taste and you waste a lot less packaging. Plus the cream, once charged, keeps in the fridge for as long as the heavy cream was good. A little shake and it restores to fluffy deliciousness. Happy baking, happy eating!

If you purchase anything from the links, The Food Historian gets a small commission!

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These were, shockingly, the runaway smash hit of my Scandinavian Midsummer Porch Party. And here I thought no one would like them! But they were the first to go of the open-faced sandwiches on offer and the only ones to have every last sandwich devoured. I probably should have made more...

You may be asking yourself, what the heck is a "Ski Queen Brunost Open-Faced Sandwich?" Dear reader, Ski Queen is a brand of brunost widely available here in the United States. And what exactly is brunost? And how is it different from gjetost? Did you even know you needed the answers to these questions? 

Brunost is literally Norwegian for "brown cheese," and it is a very special, very specific style of cheese that is not really a cheese at all. Made from caramelized whey, this super-smooth, sweet and salty cheese can be made from either cow's milk whey (brunost) or goat's milk whey (gjetost).

Whey-based cheeses, or mysost, date back over 2,000 years in Scandinavia, with the earliest evidence found on Jutland, Denmark. Going back hundreds of years, Norwegian dairy farmers perfected the use of whey, the milky yellow liquid leftover from processing butter. The original brown cheese, mysost, was literally just whey boiled until all the water evaporated and it caramelized into a sweet, grainy, fudge-like substance. But brunost is cow's milk whey that has cream and milk added in, which makes it creamy, smooth, and addictive. This addition is attributed to dairywoman Anne Hov, who helped revive the failing dairy industry in Gudbrandsdalen, Norway, in the 1860s. Later variations included goat's milk (gjetost) and "ekte gjetost" or "real goat cheese" is a brown whey cheese made from only goat's milk whey and goat's milk - it has a much stronger flavor than brunost and a sweet-salty tang. 

Brunost was typically served with open-faced sandwiches, on Norwegian heart-shaped waffles, or eaten plain as a snack. Modern cooks have used it in all sorts of ways, but one of my favorites is a creamy gjetost sauce for chicken. 

Today, most commericial brunost is produced by Tine - a Norwegian dairy cooperative that started in the 1850s and is named after the special bentwood boxes Norwegians used to store butter in the days before refrigeration. Tine also produces Jarlsberg. In the United States, you can get the cow's milk brunost and goat's milk ekte gjetost under the Ski Queen brand, so named because of the association in Norway of brunost with skiing, since brunost holds its shape under a wide range of temperatures, and its sweetness and fat helped replenish energy after a long day of skiing.

This really will win converts. If you want to be bold, have a tasting of both the milder, sweeter brunost and bolder gjetost. 

thinly sliced buttered rye
sliced brunost
a dollop of strawberry jam

You'll need your ostehøvel to get appropriately thin slices - a knife will be too thick. Make sure to get high quality strawberry jam - not too sweet, not too thick (my favorite is Welch's natural strawberry). 

These little sandwiches are basically like grownup candy. You can see why they are so popular in Norway and why almost everyone who tries it loves brunost. Have you ever tried it?

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When planning the menu for my Scandinavian Midsummer Porch Party, I wanted to make sure to have some sandwiches hearty enough to stand in for dinner. We can't all subsist on salads and dessert! But while these sandwiches are decidedly NOT friendly to folks who don't eat pork or meat (always make sure all guests can eat!), they are delicious and worth a try for those of you who do eat pork.

Although many people don't realize it, ham is quintessentially Scandinavian. It is a popular Christmas and Easter dish, and the Danish pork industry supplies most of Continental Europe. We always had ham for Easter growing up, and sometimes for Christmas, too (along with Swedish meatballs). It's also a popular sandwich meat in the United States, where deli-style hams are very similar to those produced in Denmark. 

Jarlsberg is also a popular Scandinavian cheese here in the U.S. A Swiss-style cheese introduced to the dairy farms of Jarlsberg, Norway in the 1850s, it had disappeared by the 20th century. In the 1950s, scientists at the Agricultural University of Norway were intrigued by a graduate student's paper on the historic cheeses of Vestfold, Norway (where Jarlsberg is located) and set about to recreate the historic Swiss-style cheese.

Rich and very butter, with extra-large holes, Jarlsberg is coated in red wax and the details of its production are a trade secret. 

Combining the two on pumpernickel rye with a dollop of lingonberry jam seemed like a match made in heaven, and I was right.

Lingonberries, also sometimes known as partridgeberries or cow berries, are a relative of the cranberry. Lingonberries are native to the boreal forests of Scandinavia and the rest of Northern Europe, Russia, Alaska, Canada, etc. Tiny and tart, they feature heavily in Scandinavian cuisine, especially with game meats and in desserts and drinks. If you can't find lingonberry jam, you can substitute cranberry sauce, but it won't be the same.

thinly sliced sturdy pumpernickel bread
butter
shaved natural ham
Jarlsberg cheese
lingonberry jam or preserves

Butter a slice of pumpernickel or rye bread thinly, edge-to-edge, and top with a slice or two of natural (I prefer bone-in) ham. Add a slice or two of Jarlsberg on top (use a Norwegian osthovel for best results!) and top with a small spoonful of lingonberry jam.

The salty, fattiness of the ham, the buttery taste of the Jarlsberg, and the acid sweetness of the lingonberry jam work just wonderfully together. Plus they're pretty, too!

​You can serve these as part of a smorgasbord, like I did, or alone for a fancy lunch. The bread tends to dry out if left out too long, so if you have any party leftovers, be sure to seal and refrigerate to ensure freshness. I like to make the leftover open-faced sandwiches (if there are any!) closed by simply placing to of them together, open faces in! 

​​The Food Historian blog is supported by patrons on Patreon! Patrons help keep blog posts like this one free and available to the public. Join us for awesome members-only content like free digitized cookbooks from my personal collection, e-newsletter, and even snail mail from time to time! Don't like Patreon? Leave a tip!