Last week we featured a propaganda poster from World War II that hearkened back to Valley Forge. This week we're featuring a propaganda poster from World War I that also hearkened back to the American Revolution - "The Spirit of '18."

During the First World War, the United States Food Administration, along with private organizations like the National War Garden Commission, encouraged ordinary Americans to plant war gardens (later termed "victory gardens," a name that stuck when revived in the Second World War). War gardens were needed to free up commercial agricultural products to send overseas to American Allies, many of whom were suffering after three years of privations, and to feed American troops abroad. In particular, the 1915 and 1916 wheat harvests had been poor, leaving little to export. In order to free up domestic supplies for shipment overseas, the government encouraged Americans to grow and preserve more of their own food, alleviating the domestic strain on food supplies and freeing up commercial foods for government use. This was a tactic which was revisited during World War II. 

In this poster, a young boy wearing overalls bearing the US Food Administration seal, carries a wooden crate of vegetables. He looks on at the older man in the center, whose haircut brings to mind George Washington, and who carries a larger basket of produce. At the far right, a young man carries a sheaf of wheat on his shoulder. All are marching in step, a stylized cornfield and a brilliant blue sky behind them. "Spirit of '18," the poster reads at the top. Below, it says, "The World Cry Food - Keep the Home Garden Going," with the United States Food Administration title and seal at the bottom.

Although it doesn't seem like it on the surface, this poster references the American Revolution. It is based on a very famous image which would have been familiar to Americans at the time. Painted by Archibald MacNeil Willard in 1875 for the 1876 Centennial Exposition in Philadelphia, the painting which became known as "Spirit of '76" was revealed to little critical acclaim, but great popularity among ordinary people. Willard reproduced it several times. The original was enormous - eight feet by ten feet.

The above image of "Spirit of '76" is a chromolithograph produced by J. E. Ryder for the Centennial Exposition and sold to tourists as a souvenir (see the original here). This helped its popularity greatly, as it was widely panned by critics as too dark. The painting illustrates two drummers - one elderly and one a young boy, accompanied by a wounded man playing fife - behind them flies the American flag (or perhaps the Cowpens battle flag) and more troops waving their tricorn hats - evoking perhaps that the resolute fife and drum corps are leading a column of relief troops, bringing victory to the battle that wounded the artilleryman in the foreground with his cannon on the ground, its carriage broken. 

You can see how closely William McKee mirrored the work of Archibald Willard - the three figures in both images are nearly identical - a young boy, an elderly man, and a young man, although in the World War I poster the young man is considerably younger and more Adonis-looking than Willard's figure. The figures represent the three generations - youth, adulthood, and old age, as well as the breadth of men participating in the American Revolution and World War I. During the Revolutionary War, musicians were usually boys too young and men too old to enlist as regular soldiers. Old men and young boys were also "drafted" during the First World War for home front duties, including gardening and farm labor.

In both images, the figures are marching forward, bringing victory behind them. 

Archibald Willard died on October 11, 1918, exactly one month short of the end of World War I. So it is possible he saw his work replicated in this poster. "Spirit of '76" was his most popular and enduring work, but it did not bring fame or fortune. 

For other Americans who saw the "Spirit of '18" poster, it surely would have instantly brought to mind the "Spirit of '76," and the sacrifices and courage of the American Revolution, inspiring similar levels of patriotism and sacrifice by Progressive Era Americans during the First World War to "do their bit" and contribute to the war effort through war gardens. 

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It's been cold and snowy lately here in the northeast, and sometimes you just have to have soup. But going to the grocery store in a snowstorm is ill-advised. This recipe lets you use up all kinds of bits and ends that might be languishing in your refrigerator. 

This particular recipe is my own creation, based on what was in my kitchen, but is entirely inspired by history. Several parts of history, in fact.

The first is reducing food waste. Historical peoples did not throw out potatoes just because they were starting to sprout, or lettuce because it was a bit wilted, and neither should you. Putting lettuce in soup is also extraordinarily historic, and a practice that should be revived. 

Another is that this recipe is based on one of my favorites, "Green Onion Soup," from Rae Katherine Eighmey's Hearts & Homes: How Creative Cooks Fed the Soul and Spirit of America's Heartland, 1895-1939 (2002). Eighmey read hundreds of agricultural magazines and gleaned recipes and wisdom from the farm home sections. Found in the December 26, 1924 issue of Wallace's Farmer, Green Onion Soup is a unique recipe. A combination of simply green onions and potatoes, the soup is cooked in a small amount of water, and then partially mashed right in the pot without draining. Cream and milk are added to thin the soup and add richness. The soup is comforting and nourishing and retains all of the vitamins and minerals that might otherwise be lost by draining away the cooking water. 

Which brings me to the final inspiration - vitamin retention in the style of recipes from World War II. By cooking the vegetables in the water that becomes the broth, you lose far fewer nutrients and flavor. Plus, other aspects of the soup are also quite appropriate to WWII - it's meatless, in line with rationing, and makes good use of milk, a favorite 1940s ingredient. 

I had a number of foods that needed using up that made their way into this soup: a few red potatoes, a head of wilted red lettuce, the fresh bits of baby spinach out of a box that was on the verge of getting slimy, a whole celery root starting to go a bit soft, some garlic starting to go green in the middle, and the tail end of a gallon of milk. The only fresh addition was two bunches of green onions. You could modify it pretty much however you want - any kind of greens, any kind of onion, any kind of root vegetable. 

4 red potatoes
2 bunches green onions (scallions)
1 celery root
3 cloves garlic
1 head red lettuce
1-2 cups baby spinach
water
salt
pepper
1/2 cup half and half
1 cup buttermilk
whole milk

Scrub and dice the potatoes, cutting away any eyes or bad parts, but leave the skin on. Slice the green onions, white and green parts. Cut away the knobbly skin from the celery root, then cut into small dice. Mince the garlic, wash and chop the whole head of lettuce. Add it all, with the spinach to a large stock pot and add water not quite to cover. Add at least 1 teaspoon salt (I used wild garlic flavored crystal salt languishing in a drawer) and bring to a boil. Reduce heat and simmer hard until all vegetables are very  tender and potatoes fall apart when pierced with a fork. Do not drain. Using a potato masher or sauce whisk, mash vegetables in the pot until blended with the water, leaving some chunks. 

Add a the half and half and buttermilk (or you could use part heavy cream, or leave out the buttermilk, or just use milk) then add milk to thin out the soup and to taste. Taste for salt and add more if necessary, along with pepper and whatever other herbs and spices you like. Serve nice and hot with buttered bread or toast. 

The buttermilk does add a nice, distinctive tang. If you don't have any, add a dollop of sour cream, or some plain yogurt, or a splash of lemon juice.

You could make this vegan with plant-based milk and butter. For a different flavor, add whatever fresh herbs you have lying around - dill, parsley, basil, and cilantro would all be good here. Add vegetable broth and some lemon juice instead of milk for a bright, brothy soup instead of something creamy. Use sweet potatoes or squash and tomato broth with the greens. The possibilities are really endless. 

If you'd like more interesting recipes, you can purchase Eighmey's book from Bookshop or Amazon - either way, if you do, your purchase will support The Food Historian!

​The Food Historian blog is supported by patrons on Patreon! Patrons help keep blog posts like this one free and available to the public. Join us for awesome members-only content like free digitized cookbooks from my personal collection, e-newsletter, and even snail mail from time to time!

Thanks to everyone who joined us for Food History Happy Hour tonight! We made a version of "Fruit Punch" from 1924, doctored with some spiced rum. We also discussed the history of tea, coffee, and hot chocolate, the use of tea in 18th century punch recipes and in the Temperance movement, the influence of coffee houses on politics and science, the gendering of these drinks, and the difference between high tea, low tea, and afternoon tea. 

We often think of fruit punch today as the bright red sugary concoction of questionable flavor profile. Historically, fruit punches were non-alcoholic alternatives to highly alcoholic party punches popular in the 18th century. This version was probably inspired by Philadelphia Fish House Punch, a heady mix of citrus fruit, rum, brandy, cognac, and black tea. Here's the original recipe:

1 cup sugar
1 cup very strong tea
3/4 cup orange juice
1/3 cup lemon juice
1 pint ginger-ale
1 pint apollinaris (seltzer/club soda)
This makes about 10 glasses.

Here's the lovely alternative I made
1/2 cup sugar (this was VERY sweet, feel free to cut it to 1/4 cup)
1 cup very strong tea
juice of 2 oranges
juice of 1 lemon
1 cup ginger ale
1 cup seltzer
1/2 cup spiced rum

Stir tea and sugar together over ice, then and the other ingredients and stir to combine. Serve cold in small cups. This is very good and very smooth. 

You could easily leave out the rum for a more Temperance-friendly non-alcoholic punch, or you can see other alternative punches, along with a history of Temperance, here. 

Next weekend I'm going to have another tea party, but in the meantime you can review the one from last weekend! So fun. 

​The Food Historian blog is supported by patrons on Patreon! Patrons help keep blog posts like this one free and available to the public. Join us for awesome members-only content like free digitized cookbooks from my personal collection, e-newsletter, and even snail mail from time to time!

Hearkening back to the Revolutionary War was a common propaganda tactic in both World Wars. In this propaganda poster from World War II, soldiers were exhorted to save food and equipment by reminding them of Valley Forge - the winter cantonment of the Continental forces during the winter of 1777-78 which was famously (or infamously) difficult for the enlisted men, as clothing, housing, and food supplies were all very short. Despite the harsh conditions coming hard on the heels of a season of defeat against the British, General George Washington and Baron von Steuben rallied the men, beginning the formal training that would turn them into an effective force against the world's best military. 

In the poster image, a soldier with piercing blue eyes sits on a log next to a small campfire, enduring the falling snow. The shoulders of his blue regimental are torn, he has no greatcoat, one knee of his breeches is torn out, the other is patched. He wears a red scarf around his head and neck under his tricorned hat. The barrel of his musket is wrapped in fabric, probably to keep the snow out, and a knife or bayonet is in a sheath at his hip, next to his cartridge box. What appears to be a wooden canteen is around his neck. And on a forked stick he grills a thin piece of something over the fire - I suspect it is meant to be shoe leather, as he holds another piece in his hand, although it could simply be thin cuts of meat. The men famously boiled the leather of their shoes in an attempt to stave off starvation. What food was available was usually just meat and flour - no vegetables, no bread. 

These stories would have been well-known in the 1940s, part of the American mythology education that passed for history at the time. By comparing the soldiers of the American Revolution to the soldiers of the Second World War, this propaganda poster is reminding the men of the privileges they have in provisioning, and encouraging them to avoid waste, while hearkening back to the stamina and bravery of the men at the time.

Other propaganda posters, like these, encouraged troops to conserve food because the folks back home were going without so they could have enough. 

While the nation today continues to recover from an enormous winter storm, with widespread power outages, it seemed apt to revisit Valley Forge. Read more about the food situation at Valley Forge in 1777-78. 

I've given a couple of talks on the history of macaroni and cheese now, and invariably someone brings up how homemade macaroni and cheese is so much better than Kraft. And I agree! While Kraft Dinner, invented in 1937, is definitely an important part of American history, you don't have to like it to appreciate it. 

Macaroni and cheese dates back quite far in Western history. I think macaroni and cheese has its origins in ancient Roman shepherding and cacio e pepe - dried pasta, a little pasta water, very finely grated (fluffy!) pecorino romano cheese, and plenty of black pepper. But I like lots of black pepper on my macaroni and cheese, so perhaps I'm biased. 

By the 18th century, it's popular in Europe and James Hemings, enslaved chef to Thomas Jefferson, famously brings it back from his time in France. In fact, his recipe may have influenced cookbook author Mary Randolph, who was related to Jefferson, and whose macaroni and cheese recipe is one of the first to appear in an American cookbook. 

Macaroni and cheese is not particularly difficult to make. You can go super old-school and just layer butter and cheese, like Mary Randolph in The Virginia Housewife, one of the earliest references to macaroni and cheese in American cookbooks. 

Or, you could emulate the later 19th century with a mornay sauce - that's bechamel maigre  with some shredded cheese mixed in. 

I'm firmly in the cheese sauce category, although I'm tempted to try the butter-and-cheese baked version, just to see how it measures up. 

Regardless, over the course of the 19th century, macaroni and cheese underwent a bit of a revolution, from expensive imported dish of the wealthy, to affordable railroad dining car, hotel, and cafeteria staple. For some, notably Black Americans, it also became an essential part of Thanksgiving and holiday tables - with recipes as varied as the cooks who made them. By the time we got halfway through the 20th century, it had also become a Depression-proof comfort food, beloved by children and people of all ages. 

Whether you're weathering a global pandemic, a bad day at work (or school), or just want to relive your childhood a bit, it's hard to go wrong with a steaming hot bowl of creamy, comforting, delicious macaroni and cheese. 

There's not a lot of measuring in my kitchen, but the butter-to-flour ratio must always hold true - equal parts. You can increase or decrease the cheese to your preference, you can even mix cheeses. If you want something that tastes vaguely like Kraft, be sure to go with plenty of mild cheddar. Otherwise any kind of cheese, from smoked gouda to swiss to blue to cream cheese, are all fair game. You can halve this recipe if need be, but just make the whole pound of pasta. It makes decent leftovers. Here's what you'll need.

1 pound semolina pasta, any kind (I like elbows or medium shells)
1/2 cup butter (1 stick, salted or unsalted)
1/2 cup white flour
at least 1 quart whole milk, maybe more
1-2 cups shredded cheese 
1 tablespoon Dijon mustard (secret ingredient, optional)
1-2 teaspoons salt

Your equipment needs are also basic. You'll need a 4 or 5 quart stockpot to boil the pasta, and a 2 quart pot to make the sauce, preferably one with a heavy bottom. Oh, and life will be a lot easier if you have one of these:

Okay, on to the instructions. First, grate your cheese. Don't use the pre-packaged store-bought shredded cheese - it's got anti-clumping agents (usually cellulose) that also prevent it from melting well.

Then, fill your 4 or 5 quart stockpot with at least 3 quarts of water and bring to a boil over high heat. Once boiling, add the pasta, a tablespoon of salt, give it a good stir to make sure it doesn't stick, and let it come back to a boil.

Next, add your butter to the smaller saucepan and cook over medium heat until the butter is melted and bubbling. When the butter makes a sizzling noise, quickly whisk in the flour, making sure there are no lumps. And then, the important part, let the butter and flour mixture cook for at least 30 seconds, stirring occasionally. If you don't cook your flour, your sauce will be pasty. Yuck. There's a fine balance between golden cooked mixture and browned roux, though, so just keep an eye on it.

Once your roux is cooked, start adding whole milk, a cup or so at a time. Whisk and allow to thicken between additions. After you've added a few cups of milk and the sauce is thickening up again, add your shredded cheese and Dijon mustard, and whisk thoroughly until the cheese is melted into the now very thick sauce. Then add more milk and whisk vigorously again. Keep adding milk until your saucepan is at least 2/3 if not 3/4 full. 

Meanwhile, your pasta has been boiling. You should check it occasionally to test doneness - the pasta should be soft but not soggy. Taste a piece each time. When done, drain and return to the cooking pot. 

Once your cheese sauce is thickened up enough to nicely coat a spoon, taste for salt and add, 1 teaspoon at a time. You want your sauce to be quite salty, as the pasta will be bland and absorb flavor. Once you're satisfied (always better to undersalt - you can add more at the table), pour the cheese sauce into the stockpot with the pasta and stir well. If the sauce seems a little liquidy, let it rest on the pasta for a few minutes. The pasta will absorb much of the liquid and thicken the sauce.

Serve hot with extra salt for those who like it very salty (like me), and plenty of black pepper. Feel free to also top it with more cheese, chopped tomatoes, sliced scallions, caramelized onions, crumbled bacon, sausage, steamed broccoli, or anything else that strikes your fancy. 

If making the cheese sauce and boiling the pasta at the same time seems tricksy and too much multi-tasking, boil and drain your pasta first, and then make the sauce. You'll feel better if you can give it your full attention, without getting distracted. 

And there you have it - a macaroni and cheese recipe that is tastier than Kraft, nearly the same speed (start to finish is about 30 minutes), and almost as cheap. 

Do you have a favorite way you like your macaroni and cheese? 

​​The Food Historian blog is supported by patrons on Patreon! Patrons help keep blog posts like this one free and available to the public. Join us for awesome members-only content like free digitized cookbooks from my personal collection, e-newsletter, and even snail mail from time to time!

I love winter, don't get me wrong, and the frequent snowstorms and squalls we've been having here in New York have actually lifted my spirits more often than not. I vastly prefer fluffy white snow and prettily iced trees to muddy brown landscape and grey days. That being said, sometimes you just need to brighten your day, and this was exactly the little escape I needed. I spent the morning cooking and baking, a friend brought cookies and tulips, and we sat down to a delightful tea party, complete with my new favorite electric tea kettle. It was an excuse also to use some of my extensive collection of vintage glassware. I didn't match, but that was okay. Who can say no to hobnail compote dishes and Charm teacups? 

Deviled Eggs
Lentilwurst Sandwiches with Mustard on Pumpernickel
Cucumber Sandwiches With Herbed Cream Cheese on White
​Ruby Red Grapefruit Sections in Light Syrup
Oatmeal Nutmeg Scones
Citrus Yogurt Olive Oil Cake
Chocolate Chip Cookies
Hot Cocoa
Assorted Tea with Cream and Sugar

I seriously considered making Earl Grey madeleines, and maybe cream biscuits with assorted jams, but with only three of us, this was plenty. We remarked on the funny thing about tea parties is that everything is fairly small, so it doesn't seem like much food, but it certainly fills you up quickly!

The menu was fairly easy. Our friend brought the cookies, the grapefruit was pre-sectioned from the refrigerated produce section of the grocery store. The most involved recipe was the citrus yogurt olive oil cake, which was okay, but not as nice as I had hoped, so I'm not going to include the recipe here.

​I made this tea party vegetarian in part because our friend is vegetarian, but also because vegetarian food just seems a bit lighter and more appropriate for a tea party. You can satisfy even the heartiest appetite with lentilwurst sandwiches - the mushroom/lentil mixture really does smell and even taste like sausage, thanks to the mix of herbs and spices. I first made lentilwurst back for our White Christmas themed party, and I've made it several times since. 

What is a tea party without cucumber sandwiches? I went extra-fancy here and cut rounds out of the centers of soft white sandwich bread (the bakery kind, not the pre-sliced kind). Frankly, it didn't make a lot of rounds, so I left these open-faced. ​I'm saving the outer scraps for bread pudding later this week. The rest of the recipe is simple. You'll need:

1 package neufchatel cream cheese
2 scallions
dried dill weed
a tablespoon or two of milk, cream, or buttermilk
1 English (or burpless/seedless) cucumber
white bread rounds

Soften the cream cheese at room temperature. Thinly slice the scallions, white and green parts, and add to the cream cheese with the dill weed and liquid. With a fork, mash the lot together until well mixed. Spread onto the rounds of bread and top with thin slices of cucumber. If you want to be extra fancy, you could garnish with fresh dill or chives. 

​The bread will dry out as you let it sit out, so try to do these sandwiches at the last minute, or cover and refrigerate them.

Deviled eggs are one of my favorites, but I find most deviled eggs that other people make to be rubbery and bland. There are three tricks to deviled eggs - don't overcook the eggs, boil the eggs the same day you plan to serve them, and make the yolk filling smooth, creamy, and generous. 

12 large eggs
1/4 cup mayonnaise
1/4 cup sour cream
2 tablespoons Dijon mustard

In a large pot, cover your eggs with cold water by several inches. Bring pot of cold water to a boil over high heat and let boil for 1-2 minutes. Then turn off heat, set a timer for 15 minutes, and let eggs continue to cook as the water slowly cools down. When the 15 minutes are up, remove the eggs to a bowl of ice water to stop cooking and cool down. Peel the eggs (crack them under water for easiest peeling), halve them, and remove the yolks. With a fork, mash the yolks finely until there are no chunks left and the yolk mixture is powdery. Then add 2 tablespoons Dijon mustard, and 1/4 cup each mayo and sour cream. Mix well. If the mixture seems dry, add another spoonful of mayo and sour cream, until the yolk mixture is fluffy, but not runny. Fill the eggs generously, in the hollow left by the yolk and pile some more on top. I just use a spoon and dollop, but you can fill a pastry bag or a plastic sandwich bag with the end cut off if you want something a little more polished-looking. If desired, garnish with paprika, black pepper, and/or chopped chives, but I like mine plain. Keep cool until ready to serve, and watch them fly off the tray.

Scones are another essential part of a tea party. These are my absolute favorite recipe, straight from the eminent Dorie Greenspan. I didn't make too many changes, except halfway through the recipe I realized I only had room temperature butter. Thankfully, my husband reminded me of the several pounds of butter in our chest freezer, so instead of cutting in cold butter like the recipe calls for, I grated frozen butter and mixed that in, which worked well. These scones have a nutty, toasty, nutmeg-y flavor and using fresh-grated nutmeg really makes a difference, although you shouldn't use quite as much as pre-ground nutmeg

1 egg
1/2 cup cold buttermilk
1 2/3 cup all-purpose flour (I used white whole wheat)
1 1/3 cup old fashioned rolled oats
1/3 cup sugar
1 tablespoon baking powder
1/2 teaspoon baking soda
1/2 teaspoon salt
1/4 teaspoon nutmeg
10 tablespoons cold, unsalted butter (1 stick, plus 2 tablespoons)

Preheat the oven to 400 F. In a small bowl, whisk together the egg and oatmeal. In a larger bowl, whisk all dry ingredients together, than cut in butter (or used grated frozen butter). Add egg mixture and toss with a fork until mostly combined. Knead a few times until the remaining flour is absorbed, then pat into a round and cut into wedges. Bake 20-22 minutes or until golden. Cool for a few minutes before serving.

Serve warm with plenty of salted butter. 

The one lovely thing about using an electric kettle for tea is you can have the kettle right at the table, which is what we did. Cooking at table with electric appliances was common in the 1930s and '40s, especially at breakfast. It was fun to be able to recreate that fashion today! Plus, being able to reheat the water right at the table certainly made a difference in refills. 

In all, this teensy little party was super fun, and I'm definitely having a tea party again! Something about getting out the fancy dishes, fresh flowers, a candle or two, an assortment of tempting little treats, and plenty of hot tea makes everything better. Plus I have plenty of other recipes to share. So many, in fact, I'm considering writing a little tea party cookbook. Would you be interested if I did? 

Have you ever had a tea party? Do you have favorite tea cups and dishes? Tell us in the comments! 

​​The Food Historian blog is supported by patrons on Patreon! Patrons help keep blog posts like this one free and available to the public. Join us for awesome members-only content like free digitized cookbooks from my personal collection, e-newsletter, and even snail mail from time to time!

I've done several talks now on the history of hot chocolate, and in the slide on white chocolate, someone expressed skepticism about the fact that Nestle invented white chocolate in the 1930s, although that is the current consensus on the internet.

For the Nestle claim - sources differ. Some say they were manufacturing it as early as 1930. Others say the introduction of the Galak bar (known as the Milkybar in the UK) in 1936 was the first. Still others claim it wasn't really white chocolate until the 1948 Alpine White Bar, which contained almonds. This article indicates that Nestle's research into a coating for a children's vitamin was what birthed white chocolate. 

Still, it did seem a little unusual that white chocolate was developed so late (even though milk chocolate wasn't really a thing until the 1890s). So I did a little digging. There wasn't a whole lot out there. Most of the hits were for the words "white" and "chocolate" that just happened to be next to each other. I got excited by a reference to "white chocolate cake" from the 1870s, but that turned out to just be a white cake with chocolate frosting. But then, I started to find some interesting tidbits.

First, I found this little snippet from the December, 1916 issue International Confectioner, in an article entitled, "Chocolate a la Noisette, Part II" by T. B. McRobert. ​

In this section, McRobert expresses deep skepticism that the Swiss have invented a "snow white chocolate," and speculates that they bleach it with chlorine gas, sulphur [sic] fumes, or hydrogen dioxide, rendering it nearly inedible. He ends the article with the comment, "Certainly we hear some queer and weird stories from Europe these war times, and perhaps the 'snow white' chocolate is one of these war time yarns. Certainly 'snow white' chocolate is never likely to be any howling success in this country, if in fact such a thing could ever be made here and comply with our food laws, which is more than doubtful."

I did find another reference, several years later, in the 1923 Encyclopedia of Food by Artemis Ward. In the entry for "Cocoa-Butter," the main text is followed by this little intriguing sentence - "Swiss 'white chocolate' - apart from milk-chocolate types - is cocoa-butter sweetened either with sugar or with sweet chestnut-meal." 

A tantalizing snippet, unreadable in full (thanks, Google Books), indicates this description in Food Industries Manual published in 1931, on page 142: "White chocolate is manufactured from sugar, milk powder or condensed milk, and cocoa butter, and the flavour of chocolate is dependent upon the cocoa butter content. Accordingly a very strong cocoa butter is used in the manufacture ..." and that's all we get!

Still, we're definitely pre-dating the Nestle story.

And then there was this strange little find. 

The dessert book: a complete manual from the best American and foreign authorities. With original economical recipes by a Boston lady, published in 1872. The strange recipes listed above, including two for "white chocolate" appear to be recipes designed more for confectioners or pharmacists than the home cook. Apparently designed for invalids or "delicate persons," the mixture of tapioca, oatmeal, and Iceland moss, flavored with "tinctures of cacao" and vanilla and mixed to a paste with "distilled water from cacao shells" is a far cry from mixing cocoa butter with sugar and milk solids, which is what we normally expect white chocolate to be. 

A similar recipe shows up in a druggist's recipe book from 1871.

The Druggist's General Receipt Book: Containing a Copious Veterinary Formulary : Numerous Recipes In Patent And Proprietary Medicines, Druggists' Nostrums, Etc. : Perfumery And Cosmetics : Beverages, Dietetic Articles, And Condiments : Trade Chemicals, Scientific Processes, And an Appendix of Useful Tables by Henry Blakely and published in 1871, has a white chocolate recipe very similar to the one from "A Boston Lady." A mixture of white sugar, rice flour, arrowroot powder, vanilla, cocoa butter, and gum arabic, mixed with boiling water and molded, the resulting confection was likely a chewy one. 

The Royal Cookery Book (le Livre de Cuisine) by Jules Gouffé, Alphonse Gouffé (1869) revealed this interesting recipe: 

White chocolate caramel tablets were probably a type of chewy caramel, although it's difficult to say, given the recipe. Boiling sugar to the "breaking point" indicates possibly hard crack stage, in which case the tablets would be more like toffee or a hard caramel candy, rather than the soft white chocolate we are used to. 

Invented around 1865 by a worker at the Ghirardelli Chocolate Company, the broma process involves placing roasted cocoa beans in a bag just above room temperature to  allow the cocoa butter to drip out. The remaining cocoa beans could then be processed into cocoa powder. But what to do the with cocoa butter? Much of it was processed back into bar chocolate, making it richer than 100% cacao. But I think the surplus of cocoa butter from the cocoa powder process meant that people were more interested in trying out different types of chocolate, like white chocolate. 

The timeline certainly matches the above findings of pre-1930s white chocolate.

One last candy was niggling at the back of my head - the Zero Bar, first introduced in around 1920 as the "Double Zero Bar" by the Hollywood Brands company, based in Minneapolis, MN. In 1934 the name was changed to "Zero Bar" and the wrappers have always brought to mind chilly temperatures, which was by design. 

A caramel nougat with almonds and enrobed in white fudge, this candy bar appears to be one of the earliest commercial applications of white chocolate. 

Today, the Zero Bar is still manufactured by the Hershey Company, although it can be difficult to find in stores.

Do you like white chocolate? Do you have a favorite candy bar? Let me know in the comments!

​The Food Historian blog is supported by patrons on Patreon! Join us for awesome members-only content like free digitized cookbooks from my personal collection, e-newsletter, and even snail mail from time to time!

Throughout the 19th century, white women used their domestic assets to pick up the slack left by disabled or deceased husbands - homes became boarding houses and tea rooms and domestic skills were translated into magazine articles and cookbooks. But free Black women in the 19th century did not have as many assets. And even when they did, these assets were often taken from them, and a racist and sexist judicial system gave them little recourse to recover property. Enslaved women freed by the Emancipation Proclamation had their freedom, but little else. The promised 40 acres and a mule never materialized.

Despite these often difficult starts, many free and formerly enslaved women of color used their wits and skills to make their own way in the world. Often relegated to service jobs in households, many women created their own small businesses to avoid working for wages - tea rooms, boarding houses, laundries, seamstress and millinery shops, catering, etc. Most of these jobs had low startup costs and could be done from home, allowing for the care of children and family members. Many women also worked as professional cooks for taverns and hotels, a job that held more promise of profit and respect than working in a private household.

The vast majority of women working in these fields remain hidden from history - unnamed and un-written-about. But some women of color have managed to make their mark on food history. Here are a few of their stories. ​

Anne Northup was my first real encounter with the stories of adversity and perseverance many Black women faced throughout the 19th century. I attended a special program at the Morris-Jumel Mansion in New York City with a historic dinner recreated by The Food Griot - Tonya Hopkins. 

Anne Hampton was born in 1808 in upstate New York. A free woman of color, she married Solomon Northup in the 1820s and in 1834 they sold their farm and moved to Saratoga. Solomon often worked as a fiddler and Anne worked as a cook and kitchen manager at hotels in the spa resort town. She was working at the Pavilion Hotel in Saratoga when she met wealthy white New Yorker Eliza Jumel in 1841. Divorcee/widow of Aaron Burr, Madame Jumel convinced Anne to come south and serve as a cook in her household. Anne sent her eldest daughter Elizabeth to Manhattan with Jumel, but waited until later in the year to come south herself, likely finishing out the busy tourist season. 

Earlier that summer of 1841, Anne's husband Solomon had answered an advertisement looking for musicians for a job in Virginia. An accomplished violinist, Solomon had answered the advertisement and traveled south. He was captured and sold into slavery, spending the next twelve years enduring brutal conditions on a Louisiana sugar plantation. Anne was left to fend on her own.

After a year in Eliza Jumel's household, Anne and some (but not all) of her children returned to Saratoga, where they stayed until 1850, when they moved to Glens Falls and Anne continued her hotel work. They were not reunited with Solomon until 1853. He wrote a book about his experiences - Twelve Years a Slave. 

We lose track of Solomon Northup in the 1860s and his death date is unknown, although Anne and her children continue to live in New York. To learn more about the Northup family, read this excellent account by historian David Fiske. 

Anne Northup died on August 8, 1876 in Moreau, New York. Although she leaves behind no documentation of the food she cooked, given her positions in fashionable resort town hotels and wealthy households, she was likely very skilled in a variety of foodways. To me, she represents how many free women of color made their way in the world on the strength of their cooking skills, even in the face of extraordinary adversity. 

In 2000, Jan Longone ran across a slim, crumbling cookbook wrapped in brown paper at the William L. Clements Library at the University of Michigan in Ann Arbor, where she is curator of American culinary history. That cookbook, A Domestic Cookbook, published in 1866 by a woman named Malinda Russell, turned out to be the earliest known cookbook published by an African American woman. 

The cookbook has since been digitized, and when I read it for the first time the other day, I was struck by the incredible hardship Russell had to overcome in her life. In the autobiographical account that explains why she wrote the cookbook, Russell recounted the many setbacks in her life.

Born free in Tennessee, at age 19 she set out to emigrate to Liberia, a promise of life free from the racism and oppression that continued to plague free Black communities in the North. But along the way, she was robbed by someone from her party, and was forced to stay in Virginia, where she made a living as a cook and a nurse. There, she married Anderson Vaughn, and they had a son together, but Vaughn died just four years later, leaving Russell a widow with a handicapped son. She moved back to Tennessee and opened a boarding house in a town that featured springs as a tourist attraction. She later opened a pastry shop in that same down and had saved up a sum of money to support herself and her son. But in early 1864, she was attacked and robbed by a "guerrilla party," likely Confederate soldiers. She and her son fled Tennessee during the height of the Civil War. Although Tennessee was a Union state, its proximity to the border meant it was not safe for Russell. She made her way to Michigan, enduring several attacks along the way, and went on to start over, again, in a new state. In May, 1866, she published A Domestic Cookbook. She closed her introduction stating that she hoped the sale of the cookbook would help her raise funds to return to Tennessee and reclaim some of her lost property when peace was restored. 

We do not know if she ever made it home to Tennessee, or really much else about her at all, although Jan Longone has worked to find more about her. According to Russell herself, "I have learned my trade of Fanny Steward, a colored cook, of Virginia, and have since learned many new things in cooking." She also indicated her cookbook was organized along the lines of Mary Randolph's The Virginia Housewife (1824).

Malinda Russell reset much of the conventional wisdom about Black cooking heritage at the time it was rediscovered. But her cookbook is not much different from any other cookbook of the period - reflecting her experience as a boarding house owner and cook, cooking for the public and likely for audiences diverse in race and socioeconomic status. It also knows its audience, consisting largely of dessert and preserves recipes. These were commonly featured in published cookbooks because they were more complex than the everyday cooking of meat and vegetables and less likely to be familiar to ordinary cooks. Her cookbook contains everything from the humble "Baked Indian Meal Pudding" and 'Sliced Sweet Potato Pie," to the exquisite "Floating Islands" and "Charlotte Russe." 

For me, the most striking thing about Russell is not the content of her cookbook, but rather the fact that it exists at all - a testament to her difficult life and the grit she used to persevere. 

Unlike Anne Northup and Malinda Russell, Abby Clifton was born into slavery in 1831 in South Carolina to a white father and an enslaved mother. It is unclear when gained her freedom, but by 1860 she had moved to Alabama and married Albert Fisher. In 1877, they emigrated to California and by 1880, Abby and Albert were in San Francisco, where the 1880 Census listed Abby as a "cook" and Albert as a pickle and preserve manufacturer. But this attribution was likely due to sexism common among census takers. In reality, it was Abby who was manufacturing pickles and preserves - as listed in an 1882 San Francisco directory. Albert was listed as a porter.

Abby leveraged her expertise in pickles and preserves to reach the highest echelons of San Francisco society. She was awarded a diploma at 1879 Sacramento State Fair. At the 1880 San Francisco Mechanics Institute Fair, she won a bronze medal for her pickles and preserves. 

Although she and Albert could not read or write, in 1881 she published the cookbook, What Mrs. Fisher Knows About Old Southern Cooking, Soups, Pickles, Preserves, Etc. with assistance from white friends who helped her translate and transcribe her memorized recipes into cookbook format. 

The book does not contain just pickles and preserves, although they and her famous blackberry cordial certainly make a showing. The title inclusion of "Old Southern Cooking" is certainly apt, given recipes for "Maryland Beat Biscuit," "Plantation Corn Bread," "Ochra Gumbo," "Creole Chow Chow," "Sweet Potato Pie," and "Peach Cobbler." But it also includes typical British-American foods popular in the Northeast and throughout the United States, including "Sally Lund" bread, "Jumble" cookies, "Sauce for Suet Pudding," "Rhubarb Pie," (rhubarb grows poorly in the South, needing below freezing temperatures), three different kinds of "Sherbet," "Yorkshire Pudding," and "Terrapin Soup." In short, her cooking is more representative of broad American style cooking of the period, with some Southern flavor, rather than stereotypically "Southern" (i.e. Black) cooking. 

The interest in Southern cooking, as evidenced by the marketing of her book, was likely part of a reaction to the Civil War and Reconstruction. Historian Megan Elias has written about "Lost Cause cookbooks" in which white Americans romanticized the "good old days" of slavery and subservient Black folks with "magic" cooking skills. It is possible that Abby Fisher's cookbook was swept up in the wave of racist nostalgia. But it is also possible that Abby's cookbook was simply a reflection of the interest in California residents in the cuisines of many newly arrived emigrants of all cultures and backgrounds. This seems to be the case in one announcement, published in the San Francisco Examiner​ on July 11, 1881. 

It reads:
"An Excellent Cookery-Book.
"Mrs. Abby Fisher, a colored cook from the south, and raised in the family of the late Newton St. John of Mobile, Alabamaa, has just published a neat cookery-book on all kinds of soups, terrapin stews, corn bread, pastry, sweet and plain pickles, mangoes and in fact everything in the cooking, jelly, preserve and pickle line calculated to make a family happy. Every family ought to have one. It is simple and plain, easy to be understood and can be had at Mrs. Fisher's, No. 202 Dupont street, this city, at $1.50 per copy. The book reflects credit upon Mrs. Fisher, the publisher, and shows what our Southern colored people can and will do. Let housekeepers from every part of the country send for a copy of this book. Mrs. Fisher has three prizes from as many different fairs for her pickles, sauces, blackberry brandy, preserves, etc."

Although we may never know how many copies Abby sold, the cookbook seemed to garner positive reviews. For several weeks in 1881, she (or the publisher) advertised it in the Oakland Tribune ​(see below). 

In the 1890 San Francisco directory, "Mrs. Abbie Fisher" was still listed as "mnfr. pickles and preserves," but it is unclear what happened after that. Her exact death date is also unknown. No known obituary was published. 

After the Great San Francisco Fire of 1907, reference to Abby and her cookbook all but disappeared until a copy surfaced in 1984 at a Sotheby's auction in New York City. The Schlesinger Library purchased it and at the time it was thought to be the first cookbook published in the United States by a Black woman, until Malinda Russell toppled Abby from her throne in 2000. 

Like Malinda and Anne, Abby used her cooking skills to make her own way in the world - supporting her family and showcasing her talents. 

Of course, we know about these women because they left a written record. We know about Anne through her husband Solomon and his memoir, Twelve Years a Slave and the records of Eliza Jumel. We know about Malinda because of her cookbook and the autobiography she includes in it. And we know about Abby because of her cookbook and her existence in newspapers and city directories. But there were tens of thousands of women of color making their own way on the strength of their culinary skills, just like these women, throughout the 19th and 20th centuries. Ashbell McElveen called James Hemings the "ghost in America's kitchen," but he wasn't the only one. Enslaved women and men shaped American food profoundly. And women of color - enslaved, freed, and born free - left their mark as well. 

Because I know how history works, I am hopeful that more records and cookbooks of cooks of color - published or not - will continue to show up in the coming decades. And when they do, I know they'll help us better understand how our food got to be the way it is, and where it can go in the future.

Anne Northup:

• "Solomon Northup’s Family In New York City" Gotham Center
• "Anna Hampton Northup" Food Tells a Story
• "Anne Northup: Slavery and the Birth of American Cuisine" an account of the dinner I attended at Morris Jumel Mansion in 2014. 

Malinda Russell:

• "A 19th-Century Ghost Awakens to Redefine ‘Soul’" - New York Times
• "What I Learned About a Pioneering Black Cookbook Author by Cooking Her Recipes" Gastro Obscura

Abby Fisher:

• "Abby Fisher Won Culinary Kudos" Racing Nelly Bly

The Jemima Code: Two Centuries of African American Cookbooks​, Toni Tipton Martin. University of Texas Press, 2015. ISBN 0292745486.

This article contains Amazon.com and Bookshop.org affiliate links. If you purchase anything from these links, The Food Historian will receive a small commission. ​

If you want to know more about African American cookbooks, I recommend Toni Tipton Martin's The Jemima Code: Two Centuries of African American Cookbooks. Although the information for each entry is sadly quite brief, it is nonetheless an important,  enlightening, and beautifully produced catalog of all the known cookbooks authored by African Americans (real and fictional) in the United States. ​

​The Food Historian blog is supported by patrons on Patreon! Join us for awesome members-only content like free digitized cookbooks from my personal collection, e-newsletter, and even snail mail from time to time!

​The other night I introduced a friend to one of my favorite YouTube videos ever. It’s a 1949 film put out by the United States Department of Agriculture’s Home Economics. You can watch the whole thing below:

I love this film for a variety of reasons, but the primary one is how incredibly FUNCTIONAL this kitchen is. Not everything is perfect. The “messaging center” is too close to the stove for me – too able to collect splatters and grease from cooking. And the table, while nice, I think would have been better served by a more efficient built-in breakfast nook. But everything else? I LOVE IT. The storage is incredible. Everything is built with thought to use and efficiency. From the cooking and cleaning activities to the storage. And while the cabinets aren’t the prettiest, keep in mind that the design is meant to be built by farmers and handy homeowners – not professional contractors.

Learn more about the film and the pamphlet for the Step-Saving Kitchen. 

This kitchen design is the culmination of several decades of work studies. During the Progressive Era, American interest in science began to increase, and scientific theories were applied to everything from factories to households. The Efficiency Movement was part of this application of scientific principles to everyday life. Led by mechanical engineer Frederick Winslow Taylor, the movement posited that everyday life, from industry to government to households, were plagued by inefficiencies, which wasted time, energy, and money. It also influenced the ecological conservation movement, a reaction to overuse of natural resources, and President Teddy Roosevelt was a known proponent. The movement, which became known as “Taylorism,” was hugely influential and spurred Progressive Era trust in experts and authorities that continued until the 1960s.

Nowhere was Taylorism probably more influential than in the home economics movement, which advocated for efficiency in everything from nutrition to childrearing to household design. And that was thanks in part to the work of Christine Frederick, who in 1912 took Taylor’s principles and applied them to the household with a series of articles on “New Housekeeping” she wrote for the Ladies’ Home Journal. She started a Taylor-style efficiency laboratory in her own home kitchen and went on to publish several more books on the subject, including the 1919 Household Engineering: Scientific Management in the Home. 

Another influential advocate of household efficiency was psychologist Lillian Gilbreth. With her husband Frank Gilbreth, the two created a partnership to take Taylor’s ideas and apply them to industrial spaces, developing time-and-motion studies. Today, you might know them best as the parents who starred in the book (and subsequent films) Cheaper by the Dozen.
​
After Frank’s untimely death in 1924, Lillian encountered discrimination in the engineering field, and began to turn her talents toward the domestic sphere. Partnering with Mary E. Dillon, president of the Brooklyn Borough Gas Company (and the first female utility president in America), Gilbreth and Dillon developed the kitchen work triangle, which advocated for a step-saving triangle between sink, stove, and refrigerator. Part of Gilbreth’s Practical Kitchen, the new design was revealed at the Eighth Annual Exposition of Women’s Arts and Industries on October 1, 1929. Eleanor Roosevelt was one of the speakers.

​Many of these principles were adopted by government organizations like the USDA. As early as the 1909, with the federal government’s Country Life studies, the plight of farm women and their poorly designed, technology-lacking kitchens came to light. The USDA’s Farmer’s Bulletin No. 607, “The Farm Kitchen as Workshop,” published in 1921 by Anna Barrows, outlined some of the concerns about kitchen efficiency and how to correct them. Page 10 of the bulletin illustrated the difference in closing the distances between workspaces – a star shape similar to the kitchen work triangle resulted. 

Several Congressional Acts brought federal funding to these studies. The Smith-Lever Act of 1914 mandated home economics instruction at land grant colleges. The Purnell Act of 1925 allocated federal funding into vitamin research and research of rural home management. These types of studies flourished under the federal funding and in my opinion placed overdue emphasis on the safety, sanitation, comfort, and efficiency of the home.

All of these efficiency studies contributed to the result of the 1949 kitchen I love so much. But what happened? Why do modern kitchens seem to ignore the best research of the past?

Today, there is far less government investment in domestic study – either from the USDA or public universities. The USDA’s Bureau of Home Economics was shuttered in 1962. Some of its personnel were shifted to the Nutrition and Consumer-Use Research department under the auspices of the USDA’s Agricultural Research Service. Some consumer-based research regarding food was absorbed by the FDA. But the kitchen research seems to have largely been abandoned. Some universities, like at Cornell, have continued to offer household design programs as subsets of architectural programs. But the federal funding is gone. Which is a shame, because our household lives seem to have suffered for it.

One rule that has been adopted most widely is the kitchen work triangle. But not always. For instance, my kitchen doesn’t have one – the refrigerator, stove, and sink are all in a line. The only triangle is that my primary work surface is on the other side of my galley kitchen.

And don’t even get me started on the ergonomics of storage. Those seem to have been discarded wholesale. One ray of light has been the resurgence of roll-out shelves. But even these are few and far between, likely because they are more expensive than traditional fixed shelving.

And yes, dear reader, here, I think, is the rub – efficient kitchens must be custom designed. And in our cookie-cutter, prefab world, both design and customization are expensive. In addition, many of today’s kitchens are designed more for show, or occasional entertaining, rather than daily life. Which is an unfortunate reflection of how many Americans cook (or don’t). Case in point: the disappearance of the pantry – the one final thing that 1949 kitchen doesn’t have (it’s presumably in the cellar in the film) that I’d want.
​
At any rate, if I ever win the lottery, you know what kind of kitchen I’ll be building. What aspects of the 1949 Step-Saving Kitchen did you like best? What would your dream kitchen look like? 

The ​Food Historian blog is supported by patrons on Patreon! Join us for awesome members-only content like free digitized cookbooks from my personal collection, e-newsletter, and even snail mail from time to time!

In 1946 the Women's League of the Hollis Presbyterian Church in Hollis, NY published this community cookbook, Hollis Pantry Secrets. Hollis is a neighborhood in Queens County, NY and in the 1940s was a relatively new development of single-family homes that had only been part of New York City since 1898, when it was developed from rural farmland. I was in the process of digitizing the cookbook when I ran across a somewhat familiar name. "Elizabeth Trump Walter." Could it be? Was she related to President Donald Trump? I started digging, but sadly, there wasn't much to find.

Elizabeth was born in 1904 to Elizabeth Christ and Frederick Trump (Sr.), German emigrants to the United States. Frederick (sometimes spelled Friedrich) had made his fortune during the Gold Rush with a hotel specializing in alcohol and suites for prostitutes. He returned to Germany in sometime before 1902, only to run into trouble with the authorities, who deemed his emigration illegal because he had not completed his military service. He met and married Elizabeth Christ in 1902 and they moved to New York City. In 1904, homesick Elizabeth convinced him to return to Germany, but due to Frederick's trouble with the authorities over his lack of military service, they could not stay, and returned to New York City in 1905. It is unclear if Elizabeth the younger was born in Germany or not.

Her younger brother Frederick Jr. was born in 1905 and John in 1907. Frederick Trump Sr. died of Spanish Influenza in 1918, and the family was soon in trouble financially. Elizabeth Christ Trump decided to continue her husband's work in real estate development, and that her children would be her primary employees. Elizabeth the younger was also the eldest child - she left high school to attend secretarial school so that she could be the accountant for the newly formed E. Trump and Son company. Her youngest brother John was to be the company architect. Fred Jr. the builder. 

John left the company early on and Fred Jr., with his mother, built E. Trump and Son into a real estate empire. Derailed by the stock market crash of 1929, when E. Trump and Son officially went out of business, by 1934 Fred Jr. managed to finagle his way into a mortgage-servicing contract, and the Trumps were back in the real estate business. The rest is fairly well-known history, including Trump's housing discrimination. 

But what about Elizabeth? Her history is almost non-existent. She has no Wikipedia page. She isn't even mentioned on her mother's Wikipedia page, despite the fact that Fred Jr. is noted as the "second child" and John the "third." She is mentioned on the Trump family page. We know she married William Walter, who was training to work in a bank, in June of 1929. According to William's 1959 obituary, he was a veteran of World War I who had worked in banks starting as a page boy in 1910. The year he and Elizabeth were married, he was made assistant secretary of the newly formed Manufacturer's Trust. 

Elizabeth apparently continued in her accounting role after marrying William, but it is unclear whether she left in late 1929 when E. Trump and Son went under, and whether she continued to work under Fred Jr. 

Elizabeth and William Walter had two children - William Trump Walter, born in 1931, and John Whitney Walter, born in 1934. Both Elizabeth and William Sr. were highly involved in the Hollis Presbyterian Church. He was an elder, she, a member of the Women's League. So it makes sense that Elizabeth would submit recipes for the 1946 cookbook. 

Here are her recipes: 

The "Party Suggestions" that start on page 125 is a small section that only contains recipes from Elizabeth Trump Walter! All variations on starter salads (with one exception), probably for ladies' luncheons, but possibly also for themed dinner parties, or even children's parties. 

South Sea Island
Place slice of pineapple in center of a bed of shredded lettuce. Fill hole with cream cheese and put a spring of parsley in cheese to represent palm tree. Cut banana in half lengthwise and then in half crosswise – straight bananas are best – and place these on lettuce sea around pineapple island, cut side up. Cut saltines diagonally in half. Each half makes a sail. Insert tooth pick in corner and stick in banan boat. Cut strips of wax paper about ¾ inch by 1 ½ inches. Fringe and tie around chocolate candy dolls for grass skirt and place under palm tree.

Mexican Hayride
Force a Ritz cracker on either side of a toothpick for wheels and axle. Make two sets for each service. Fill lettuce cups with crab meat salad and place on top of two sets of wheels and axles. Force animal crackers on either side of a toothpick. This kames a pair of horses. As many pairs of horses as desired may be used. Place thin strips of green pepper from lettuce cups to team of horses for reins. 

Snow Man
Ice cream cone
Whipped cream
Scoop of vanilla ice cream
3 inch round of sponge cake
Cover sponge cake with whipped cream. – Place scoop of ice cream in center of sponge round. Invert cone on ice cream. Make eyes of melted chocolate and use slice of cherry for mouth. Force whipping cream through tube to make ruffling for collar around face.

Sail Boats
Peel cucumber and cut in half, lengthwise. Scoop out center and mix with salmon salad. Fill mixture in cucumber boat – Place on bed of shredded lettuce for waves. To make sail, cut drinking straw in half. Cut rectangle from stiff white paper and attach to half of straw with scotch tape. Place sail in center of boat.

Easter Eggs in Nests
Place slice of pineapple on small bed of shredded lettuce. Divide cream cheese into five parts. Color each part a different pastel shade, leaving one white. Form cream cheese into small eggs, the size of a robins egg and place in center of pineapple slice.

Circus Salad
Cut a five inch circle from a piece of stiff paper with pinking shears. Cut a slit to center from one side and then put together to form a dome shaped piece for top of tent. Place tuna fish salad in center of plate. Around salad sprinkle Cornflakes or Rice Krispies to represent sawdust. Insert five pretzel sticks around salad and place tent on top of these sticks. 

Her six party suggestions make up the entire "Party Suggestions" chapter. I, personally, would have a hard time cutting saltines in half or forcing toothpicks into crackers, so clearly this sort of thing took a great deal of finesse. 

Elizabeth Trump Walter died on December 4, 1961, at the age of 57, "after a long illness," just two years after her husband William. Her obituary is on page 37 of that day's New York Times, towards the bottom. She pre-deceased her mother Elizabeth Christ Trump by five years. Ironically, Elizabeth Christ Trump does not have an obituary in the New York Times, she is only listed among the deaths recorded on June 9, 1966 - her notice submitted by the Federation of Jewish Philanthropics. 

According to Elizabeth's son John Walter's 2018 obituary, the Walters moved to Manhasset, NY toward the end of their lives. They lived in a retirement home built by the Walters and likely Fred Trump, Jr., but died just a few years later. John begun attending the Congregational Church of Manhasset at his mother's behest. Elizabeth Trump Walter was memorialized with a restored organ at the Congregational Church of Manhassett, NY sometime in recent years. 

Elizabeth Trump Walter rarely shows up in Trump family histories, probably because of her early death compared with the Trump family fortunes. But it was a fascinating project to track down what I could about her. 

The Hollis Pantry Cook Book has more secrets and famous recipe authors to share, so stay tuned for future blog posts. 

Have you ever found a famous person's name in a community cookbook? Tell us in the comments!

​The Food Historian blog is supported by patrons on Patreon! Join us for awesome members-only content like free digitized cookbooks from my personal collection, e-newsletter, and even snail mail from time to time!